Nº. 3 of  48

The Anachronist

John Skylar, in some timelines, is a Professor of Anachronism at the University of Constantinople, but mostly he is a bioscientist and SF author living in New York City. You can follow johnskylar.com on tumblr or on twitter as johnskylar. If you live in New York, you might enjoy a chat with him at the Immodest Proposals discussion series, which he started with Better Worlds.

WHEN I TAKE THE FOOD AND BOUNCE WHILE EVERYONE ELSE IS STUCK IN SEMINAR

Whatshouldwecallgradschool is officially my new favourite tumblr.

whatshouldwecallgradschool:

Tumblbeasts, behold!

A story of mine appears in this week’s issue of Larks Fiction Magazine.

It is “Sweater of the Fates,” the second story in the issue.  Read them both and enjoy!

This is a disturbingly powerful set of Holocaust Remembrance commercials.  

Soon I will be off this Holocaust theme, I promise.

readyokaygo:

The following is a piece by Shimon Attie, one of my favorite artists, and is part of a series he did on the Holocaust. He argues that unless you have prior knowledge of the history of a location, it has absolutely no significance to you. With that said, he wanted to force viewers to confront the Holocaust by reflecting images from the past on landmarks. It not only represents the Holocaust as a transcendental event, but is a reflection of his own desires to bring what was lost back.

readyokaygo:

The following is a piece by Shimon Attie, one of my favorite artists, and is part of a series he did on the Holocaust. He argues that unless you have prior knowledge of the history of a location, it has absolutely no significance to you. With that said, he wanted to force viewers to confront the Holocaust by reflecting images from the past on landmarks. It not only represents the Holocaust as a transcendental event, but is a reflection of his own desires to bring what was lost back.

(via journalofajournalist)

I have a story in April 2012’s issue of Schlock Magazine!
It’s “How to Kill a Cultureshifter,” a pulp “meta-adventure” about cultural ley-lines and transforming monsters.  It’s a fun way to kill a half hour if you’re bored at work.
The rest of the issue has stories of reincarnation, transformation, and other changes in life.  Check out everyone else’s work, too!
Cover image is copyright Jennings Falzon.

I have a story in April 2012’s issue of Schlock Magazine!

It’s “How to Kill a Cultureshifter,” a pulp “meta-adventure” about cultural ley-lines and transforming monsters.  It’s a fun way to kill a half hour if you’re bored at work.

The rest of the issue has stories of reincarnation, transformation, and other changes in life.  Check out everyone else’s work, too!

Cover image is copyright Jennings Falzon.

To help ease the eyes of those who just churned through my wall-of-text.
teal-deer:

I used to dream about a place like this. 

To help ease the eyes of those who just churned through my wall-of-text.

teal-deer:

I used to dream about a place like this. 

(Source: sidnnay)

Hugo Quest: THE FOREVER WAR and FOREVER PEACE, by Joe Haldeman

I read these two awhile ago, but putting my thoughts to “paper” has taken me some time for them.

If you’re unfamiliar with it, THE FOREVER WAR, the 1976 Best Novel, is Joe Haldeman’s “Vietnam in Space,” a fantastic anti-war opus that uses the disorientation and trauma felt by soldiers in an interstellar war as a metaphor for the disorientation and trauma of soldiers returning from the US’s war in Vietnam.  Haldeman himself is a Vietnam veteran, and that personal experience with the horrors of war is certainly felt within the novel.  It is particularly amazing how this book contrasts with STARSHIP TROOPERS, but I’ll save that for another time.  THE FOREVER WAR uses time dilation from interstellar relativistic travel as a metaphor for the effects of having been in a war zone.  Where soldiers returning from Vietnam may have felt isolated and traumatized by their experiences, the soldiers in THE FOREVER WAR are temporally isolated.  In their experience, just a few months have passed, but in the decades or even centuries of time that have passed on Earth, a great many things have changed.  One part of the novel is even titled “You Can Never Go Back,” which is about returning to Earth.  This title is borrowed as a revolutionary slogan by Kim Stanley Robinson in his MARS books, interestingly enough.

FOREVER PEACE, though it shares a title and theme with THE FOREVER WAR, is not a sequel to Haldeman’s earlier winner.  It won for Best Novel in 1998.  It’s got a lot to do with drone-based warfare and how technologies that encourage empathy could eventually also promote pacifism.  It’s also notable because it features an African American protagonist, though I can’t say that this book is really about the African American experience.  I think that detail is just nice, since it adds some diversity.  I’m tired of the assumption that white is the default main character skin colour.

I think you can compare these two books in a simple, useful way.  FOREVER PEACE is an “idea book,” where compelling characters, technologies, and events interact in such a way as to make a point about human nature in the future.  In this case it’s about peace.  I don’t usually love books with that kind of goal, but that’s a matter of personal preference.  It’s a skillfully crafted novel.

THE FOREVER WAR, on the other hand, is about the visceral emotional experience of being in a war situation, being pulled out of time, and being unable to relate to the greater cultural context of the war that you’re a part of.  The feeling of having terrible things happen to you for reasons that society has long left behind.  To give it a name, it’s an “experience book,” much in the same way that STARSHIP TROOPERS is an experience book.  It’s to give you the feeling of having done something.  In this case, it should convince most everyone that they really don’t want to have the experiences depicted.  I gravitate toward this model much more easily; I feel like I’m being put in the shoes of the main character and getting a clear depiction of what he or she feels during the course of events.

I rather prefer the “experience book” model, but the problem is that it doesn’t always work well for idealistic books.  If you want to write a novel about the end of all war, that’s an experience nobody’s ever had.  So you’re stuck with the “idea book” model, which doesn’t always feel as real to me.  As a result, THE FOREVER WAR stuck with me a lot more than FOREVER PEACE, though both were masterworks.

I’d like to introduce “Advice by Ada,” a tumblr written by one of my good writer friends, Ms. “EKG,” which does not, in fact, stand for “Electrocardiogram.”  In this case.

Advice by Ada is an etiquette letter answering blog, much like “Dear Prudence” or “Dear Abby.”

But it is written by Ada Lovelace.  And it is for robots.

It can be so difficult to navigate today’s culture, when you are a robot.  Advice by Ada is here to help.

Nº. 3 of  48